This week we take a bit of a detour from our usual cinematography youtube space and into the world of music creation vlogging. Mary spender is a guitarist and singer who also makes vlogs about her experience as an independent artist and everything music. A big reason i’m writing about her for Vlog of the…
I just love how Atomos is working with the camera manufacturers prior to release to enable ProRes RAW capability.
The Sony A7S III was was only formally announced today, and yet we already have notice from Atomos that ProRes RAW will be fully supported with the Ninja V:
Atomos are today announcing RAW recording at up to 4Kp60 via HDMI from Sony’s new Alpha 7S III (ILCE-7SM3) full-frame mirrorless camera to the Ninja V HDR monitor-recorder.
The Alpha 7S III has a state-of-the-art CMOS image sensor and the Ninja V can record its full dynamic range in Apple ProRes RAW for maximum detail and latitude in post-production. The RAW files are optimal for HDR finishing, or for greater flexibility in SDR (Rec.709), giving stunning results in either. Images are recorded directly to affordable, reliable AtomX SSDmini or other compatible SSD drives for quick transfer to your editing system.
Unrestricted RAW recording
RAW recording with the Ninja V from the Alpha 7S III is only limited by your imagination. The combination will record ProRes RAW video for as long as you have disk space on your SSD and power for the camera and recorder. The active cooling employed means that internal record time limitations can be bypassed making a perfect setup for performances and long interviews. Optionally, RAW video can also be captured on the Ninja V at the same time as compressed video is recorded internally to memory card on the Alpha 7S III, providing several workflow options and a useful backup.
Making low light RAW video a reality
Alpha 7S III low light performance is especially impressive, with the data from the camera’s large photosites making recording RAW in dim conditions a practical option. The Alpha 7S III also has 5-axis optical image stabilisation that is available while shooting RAW video, allowing for amazingly stable and detailed handheld RAW shots.
16-bit Linear RAW perfectly captured as 12-bit Log RAW
The data-rich 16-bit linear RAW output of the Alpha 7S III is compressed and recorded in the Ninja V as 12-bit ProRes RAW at up to 4Kp60. The result is a high quality ProRes RAW file that combines the superb visual quality of the Alpha 7S III with the workflow advantages of RAW and the incredible real-time performance of ProRes. One key benefit, especially in low light, is that the ProRes RAW files allow you to take fine control of how noise reduction and sharpening is applied to images, tuning these precisely for each shot.
A defined standard
Atomos believes ProRes RAW is the new standard for RAW video capture, which is supported by an ever growing number of cameras outputting RAW over HDMI to the Ninja V. The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported. Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is supported in Final Cut Pro X, Adobe Premiere and Grass Valley Edius, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront and FilmLight Baselight.
10-bit 4kp60 Apple ProRes or Avid DNx for extended recording
For the first time in a mirrorless camera from Sony there is also a 10-bit 422 HDMI video output option available. The Ninja V and other current Atomos monitor-recorders can record this as 10-bit 422 Log or Rec.709 video at up to 4Kp60 into production ready ProRes or DNx codecs. These provide long record times and practical data rates when the additional flexibility of RAW is not required. This is ideal for situations where the camera needs to integrate into an established post workflow, or a fast turnaround is needed.
HDR monitoring perfection
The accurate 5” 1000nit HDR high brightness display of the Ninja V allows users to view the Alpha 7S III RAW signal in HDR in a choice of HLG and PQ (HDR10) formats, or view natively in Sony’s S-Log profile and used with LUTs. The monitor offers touchscreen access to tools like waveform, magnification and peaking so users can check focus and make adjustments to get the perfect HDR or SDR shot.
Atomos have also worked with renown DP and YouTuber Philip Bloom on a launch film “The Paddleboarder”, shot on a the Alpha 7S III and Ninja V in ProRes RAW.
It features some beautiful sequences, and whilst YouTube does nothing to show off HDR or RAW, the quality of the A7S III’s footage does shine through!:
* Ninja V users will receive a free AtomOS update to enable RAW recording over HDMI from the Alpha 7S III. This is set to be available in September 2020.
Cody Wanner is an incredibly active and enthusiastic vlogger from Harrisville PA. Cody started vlogging in a rather interesting fashion, he started right off the bat committing to vlogging every day of 2018. He succeeded and posted a vlog every day for a year. His Vlogs focused on his daily life as well as film…
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The Atomos Ninja V is a 5″ 1080p HDMI monitor for video production, but also a 4K prores recorder. The Ninja V gives you a much larger and clearer view of what you’re shooting as you shoot it. Ninja V attached to camera using a small rig cage The screen gives you a host of…
Morgan, as her channel name suggests makes coffee related videos. She made a name for herself on TikTok , making funny skits and educational coffee making videos all in a coffee shop that she worked at. The TikTok Vlog format makes for an incredibly impressionable and personal feel. You feel like you really get to…
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