Atomos Shinobi 7 – 7″ Monitor
Ships Early June
- 7″ 1920 x 1200 Touchscreen Display
- 4K60 HDMI 2.0 In/Out, 2K60 3G-SDI In/Out
- 2200 cd/m² Brightness
- HDMI/SDI Cross Conversion
- 2.5mm Camera Control Port for Z CAM E2
- Dual Sony L-Series Battery Slots
- AtomOS; AtomHDR & 3D LUT Support
- 10-Stop Dynamic Range
- Supports a Variety of Log Formats
Add a bright, high-resolution monitor to view your 4K/2K footage from a cinema camera such as a Z CAM E2, Panasonic BGH1, or RED KOMODO with the Shinobi 7″ 4K HDMI/SDI Monitor from Atomos. This 7″ on-camera monitor features a 1920 x 1200 10-bit FRC IPS display with a brightness of 2200 cd/m², which makes it suitable for use in both exterior and interior conditions. This larger model improves on the original Shinobi as it adds 3G-SDI input and loop output up to 2K60, HDMI 2.0 input and loop output up to 4K60, signal cross conversion, a camera control port, dual L-series battery slots, and future possibilities with its built-in USB and RJ45 ports.
The touchscreen Shinobi 7 runs the latest AtomOS firmware that features a variety of onscreen analysis tools such as multi-scope views, exposure, framing, focus assist, waveform, RGB parade, and histogram tools. It also features an SDI card input to load custom 3D LUTs, and it supports SDR and HDR viewing. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras.
It also supports camera control using its 2.5mm control port and optional cables, and it currently supports control of the Z CAM E2 series of cinema cameras. Built to withstand the rigors of production, the Shinobi 7 features a lightweight chassis and powers from a dual L-series battery plate or using the included power adapter.
With AtomHDR you can monitor up to ten stops of dynamic range of your camera’s LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
Supported Log Formats
- ARRI Log CEI160 / CEI200 / CEI250 / CEI320 / CEI400 / CEI500 / CEI640 / CEI800 / CEI1000 / CEI1280 / CEI1600
- Canon CLog / CLog 2 / CLog 3
- Fuji F-Log
- JVC JLog
- Nikon N-Log
- Sony SLog / SLog2 / SLog3
- Panasonic Vlog
- RED Log3G10 / RED LogFilm
- HDR Monitoring
- Sony SGamut / SGamut3 / SGamut3.cine
- Canon Cinema / DCI P3 / DCI P3+
- Panasonic V Gamut
- ARRI ALEXA Wide Gamut
- Rec. 709 / BT.2020
- RED WideGamut / RED DragonColor / DragonColor2
- RED Color2 / RED Color3 / RED Color4
DCI/UHD 4K and 2K Input/Output
Monitor 4K footage in DCI or UHD formats via HDMI 2.0 up to 60 fps and up to 2K60 via 3G-SDI.
Output signal via HDMI and 3G-SDI loop outputs.
The Shinobi 7 features HDMI/SDI cross conversion support.
Input/output audio via HDMI and output audio using the 3.5mm headphone port for convenient audio monitoring.
7″ Daylight Viewable Screen
The Shinobi 7 features a 7″ IPS LCD 1920 x 1200 screen that is illuminated by a bright 2200 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
HDR Signal Management
Log and HDR signals can be difficult to monitor with conventional equipment. With the Shinobi’s built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
The back of the monitor features dual L-series battery slots for longer shoot durations, and a universal power adapter is also included.
The monitor features a 2.5mm control port that currently supports control of Z CAM E2 series cinema cameras, while future camera control support is pending.
The Shinobi 7 supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic’s 8:3.
3D LUT Management
An SD card slot allows you to load custom 3D LUTs and apply them to both input and output signals.
|Panel Type||IPS-Type LCD|
|Display Size||7.0″ / 17.8 cm|
|Resolution||1920 x 1200|
|Maximum Brightness||2200 cd/m2|
|Bit Depth / Color Support||10-Bit (1.07 Billion Colors)|
|HDR Compatibility||Advanced HDR|
|Pixels Per Inch (ppi)||323 ppi|
|Real-Time LUT Monitoring||SDR, HDR|
|Image Controls||Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Histogram, Pixel-to-Pixel Zoom, RGB Parade, Screen Markers, Vectorscope, Waveform, Zebra|
|Video||1 x HDMI Type A (HDMI 2.0) Input
1 x BNC (3G-SDI) Input
1 x HDMI Type A (HDMI 2.0) Loop Output
1 x BNC (3G-SDI) Loop Output
|Embedded Audio||HDMI: 2-Channel
|Audio||1 x 1/8″ / 3.5 mm Headphone Output|
|Power||1 x Coax (16.8 VDC) Input|
|Other I/O||1 x LANC (2.5 mm) Output
1 x USB 2.0 (USB Type-A) Input
1 x RJ45 Input/Output
|Media/Memory Card Slot||Single Slot: SD/SDHC/SDXC|
|Video Format||HDMI (8/10-Bit 4:2:2)
DCI 4K: 60/59.94/50/30/29.97/25/24/23.98
UHD 4K: 60/59.94/50/30/29.97/25/24/23.98
SDI (8/10-Bit 4:2:2)
DCI 2K: 60/59.94/50/30/29.97/25/24/23.98
|Gamma Curve||ARRI Log C, Canon Log, Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, JVC J-Log, Panasonic V-Log, REDlogFilm, Rec2020, Rec709, Sony S-Log 2, Sony S-Log 3|
|DC Input Power||6.2 to 16.8 VDC|
|Battery Type||2 x L-Series|
|Power Consumption||4 W (Typical)
7 W (Maximum)
|Mounting||2 x 1/4″-20 Female|
|Operating Temperature||32 to 104°F / 0 to 40°C (Recommended)|