Atomos Shogun 7 – 7” Field Monitor/Recorder

Atomos
  • 3000nit HDR Display incorporating 360-zone technology with 1,000,000:1 contrast ratio, 15+ stops of dynamic range and 105% DCI-P3 Wide Colour Gamut.
  • Real-time recording to 4K formats including ProRes RAW, CinemaDNG, ProRes and DNx.
  • New Dolby Vision HDR Output in real-time, direct from camera sources.
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Apple ProRes and ProRes RAW recording and playback

Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool for creative storytelling.

Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes directly to affordable SSD drives avoiding the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240.

Add to this asynchronous, multicamera switching and the ability to record in a range of other codecs, and you have more power to achieve your creative vision than ever before.

Multicamera touchscreen switching

Live mix & record up to 5 streams

Take full advantage of 4 x SDI inputs and let Shogun 7 step into the role of a portable, quadview live switcher and recorder on your multicamera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs and then cue and switch in real-time with a simple touch of the screen. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.

Perfect exposure and colour

Fine tune every detail, while you shoot

A high-quality viewing experience gives you complete confidence to make educated on-set decisions.

With Shogun 7’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. See what the camera sensor is capturing with unparalleled precision and use the advanced HDR waveform tools from log or RAW to ensure perfect exposure, colour and white balance. Shogun 7 gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.

Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.

The Shogun 7 is at home on practically any camera

With its ProRes RAW recording capabilities it works with powerhouses like the Canon C300 mkII, Panasonic EVA 1 and Sony FS5 II to create stunning images with maximum detail and latitude for post production. In addition it can transform older cameras like the Sony FS700R into cinematic RAW shooting machines with advanced features like 4Kp60 and 2Kp240 RAW capture.
Use with your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.

Amplify the creative advantages of shooting RAW

Shogun 7 takes RAW data directly from the camera’s sensor and preserves the unprocessed image. This gives you more freedom to adjust and finesse every aspect of your video in post-production finishing.

Applying ProRes compression technology to RAW image data adds another edge to your creative workflow. ProRes RAW files are smaller than most proprietary RAW formats so you can import, edit and grade faster and more efficiently. ProRes RAW is supported in Final Cut Pro X, Adobe Premiere and Avid Media Composer

SKU: MON-ATO-SHO7 Category:
Brand

Weight and Dimensions Without batteries 709g / 25oz.
Dimensions (W x H x D mm) 214 x 127 x 45mmmm
Construction Polycarbonate ABS
Mounting points 1/4”-20 screw mount. 1x top and 1x bottom
Power
Operating power Polycarbonate ABS
Compatible batteries NP-F series and supporting accessories.
Input voltage (battery) 6.2V to 16.8V
Battery time* (based on 7.4V) 5200mAh – up to 1.5hrs (monitor & record 4K 30p)
7800mAh – up to 2.2hrs (monitor & record 4K 30p)
DC In 1 x DC in (6.2 – 16.8V)
Touchscreen
Screen Capacitive touch
Size 7.2”
Resolution / PPI 1920 x 1080 / 325ppi
Aspect ratio 16:9 native
Contrast ratio 1,000,000:1 (Zone backlight turned on)
ColoUr Gamut Up to Wide colour gamut (105% DCI-P3
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x
Dynamic AtomHDR Technology
Backlight Direct LED
Zones 360 direct backlight individual LEDs
LEDs Wide Colour Calibrated D65 or D9
Bit depth 10-bit (8+2 FRC)
Colour DCI-P3 105%
Brightness 1500nit (+/- 10%)
Control On the fly real-time brightness analysis for LED contro
HDR Conversion Log/RAW to HLG or PQ
HDR Monitoring Technology
Gamma
Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI
Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400
/ LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 /
LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED
Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k
HLG
Gamut
Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema /
DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa
Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED
DragonColor / DragonColor2 / RED Color2 / RED Color3 /
RED Color4
Anamorphic de-squeeze 2x, 1.5x, 1.33x
Technology IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit
AtomHDR Yes
HDR Monitoring (Gamma)
Sony SLog / SLog2 / SLog3
Canon CLog / CLog2 / Clog3
ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 /
LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600
Panasonic Vlog
JVC JLog1
RED Log3G10 / RED LogFilm
FujiFilm F-log
Nikon N-Log
PQ10k
HLG
HDR Monitoring (Gamut)
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709 / BT.2020
JVC
RED WideGamut / RED DragonColor / DragonColor2 /
RED Color2 / RED Color3 / RED Color4 /
Video Input / Loop out
HDMI HDMI 1 x HDMI (2.0)
SDI Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI
Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent)
Genlock Genlock input signal and output signal
Video Output (Playout)
HDMI 1 x HDMI (2.0)
SDI 2x 4K-SDI 12G or HD-SDI 3G/6G
HDMI Uncompressed true 10-bit or 8-bit 4:2:2 (camera dependent)
Supported Codecs & Frame Rates (Record & Playback)
Raw to:
ProRes RAW
ProRes
CinemaDNG
(CDNG up to 30p only)
Avid DNxHD
Sony^^FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
1080; not supported in camera
Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera
1080; not supported in camera
Panasonic VaricamLT, EVA1
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
Supported base resolution & FPS from cameras
4K DCI: 23.98/29.9/59.94p
4K UHD: 23.98/29.9/59.94p
2K DCI: 23.98/29.9/59.94p
1080p: 23.98/29.9/59.94p
Supported FPS & resolution from gaming consoles and graphic cards
1080p; 24/25/30/50/60/100/120
Onboard Processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2pulldown)
4K UHD downscale for HD monitoring Yes – Loop-out and playback (Not available in RAW)
Audio Out
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analogue in/out
Dynamic range >90dB
Max signal level +24dBu
Max analogue gain +52dB
48V Phantom Power for Mic
Remote Start/Stop
HDMI Auto HDMI Trigger
Supported Protocols – Dolby Vision, Canon, Sony, Atomos
Open Standard
SDI SDI trigger camera selectable
Other LANC control – Slave
Playback
Playlist / Genlock / LTC Yes / Yes / Yes
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps
Recording
Pre-roll record Yes (HD 8s, 4K 2s)
Custom time lapse Yes
Meta data tagging Yes (10 tags available)
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy case Master Caddy II (included)
Master caddy dock 75mm x 105mm x 12mm
Supported applications 2.5” SATA to USB 2.0/3.0

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